quiz 3

1. __________ was an artistic and social movement that originated in Italy in the early

20th century which later also developed in Russia. It emphasized dynamism, speed,

technology, youth, violence, and objects such as the car, the airplane, and the industrial

City

Futurism

2 Dynamism Of A Dog On A Leash is a 1912 painting by

Italian Futurist painter, __________.

Giacomo Balla

3 Vladimir Tatlin is often hailed as the father of__________.

Constructivism

4 The first ever __________ painting was the Black Square

Supremacist

5 The goal of the __________ was to seek ways of using abstraction to break free of

the expectations and limitations of the physical world and to connect with something

more pure.

Supremacism

6 The __________ aimed to reunite fine art and functional design, creating practical

objects with the soul of artworks.

Bauhaus

7 __________, a philosopher and mystic as well as poet, was the first actor in the

DADA drama

Hugo Ball

8 Marcel Duchamp coined the term,__________ , to refer to art which appeals mainly or

exclusively to the eye rather than to the mind.

Retinal art

9 The term, DADA, was coined in 1919 to describe the chaotic movement emerging at

the __________.

Cabaret Voltaire

10 Duchamp went on to create __________ – everyday objects that could be bought

and presented as art with little manipulation by the artist.

Readymades

11 __________ found new and more controversial, sometimes confrontational ways

to show their disbelief, skepticism, irony and philosophical critiques of the concepts of

universal truths and objective reality.

Postmodernists

12 Often described as the first postmodern artist, Robert Rauschenberg, created

artwork that combined sculpture and painting and called them a __________.

Combine

13 In “I like america and america likes me”, a 1974 Fluxus performance art piece,

__________ is flown to a gallery in NY to spend three days in a cage with a coyote.

Joseph Beuys

14 __________ was a French photographer and scientist who was studying movement. He

used one camera and juxtaposes many frames on one photograph in order to show movement

Étienne-Jules Marey

15 __________ was a pioneer of capturing time on film. He experimented in trying to

capture time using several cameras. Each camera representing a frame

Muybridge

16 __________was the first person to create moving pictures 1888 —but he

mysteriously disappeared in 1890, and his fate is still unknown.

Louis Le Prince

17 – 18 William Dickson who invented both the __________ (1890); which was a motor

powered camera that could capture motion pictures, and the __________(1893); which

was an early version of a movie projector.

Kinetograph and Kinetoscope

19 A three-in-one device that could record, develop and project motion pictures, the

__________ would go down in history as the first viable film camera.

Cinematograph

20 - 21 John Logie Baird’s __________ helped push television forward and probably

hastened the development of __________.

Mechanical TV and Electronic TV

22 Digital cinematography is the process of capturing (recording) a motion picture using

digital image __________ rather than through film stock.

Sensors

23 With __________ filmmaking, anything and everything is possible. You can try things

with the camera that you would never think to do on a narrative set.

Experimental

24 The ideal __________ film differed from Dada films in that it would not be a

humorous chaotic assemblage of events. Instead it would trace a disturbing, often

sexually charged story that followed the inexplicable logic of a dream.

Surrealist

Futurism Etienne Jules Marey kinetograph Supremacism mechanical TV

Kinetoscope Supremacist Bauhaus retinal art Cabaret Voltaire

Constructivism Hugo Ball Postmodernists combine Muybridge

Giacomo Balla Joseph Beuys Louis Le Prince readymades sensors

Cinematograph experimental Surrealist electronic TV